The first cover I was shown for The Beast of Cretacea was
this white and blue illustration. Since the book is a futuristic
quasi-retelling of Moby Dick, I understood where the artist was coming from. And while
I liked the idea of the sailors doing battle with the beast, I felt that the
cover failed to convey any sense of futurism or science fiction. A friend in
the fashion business even said the manta ray-like beast reminded her of a
woman’s dress. Straps, bust, waist, and widening skirt.
Wanting to offer my publisher an alternate suggestion,
but being utterly without artistic talent, I asked my daughter, Lia, a graphic
artist and illustrator, if she would sketch an example of what I was looking
for. To steer her, I provided visual prompts, i.e., a painting of Moby Dick.
A contemporary whaling ship.
Some mantas.
A Zodiac-type boat, like the ones I imagined the
hunters in my book used when pursuing beasts.
Lia’s first version far exceeded my expectations. I’d
suggested she do a rough, pencil sketch, but she decided to create an actual
sample cover. I loved it, but realized that having the zodiac and men so close
to the beast would give the reader a sense of the beast’s size that I preferred
to leave mysterious.
Lia gamely tried again. The two barely visible
survivors in the foreground (lower right) would have been made to look more
realistic. But since I thought of this as only an example of what the cover
might look like, I didn’t want her to put any more time into it. After all,
this “sample” was certainly enough to give the publisher an idea of what I
hoped the cover might look like.
I sent it off.
Here's what came back. I was stunned... and delighted! They wanted to use Lia’s sample as the actual cover!
The art director at Candlewick had added a background
that would convey a sense of space travel. This Hubble telescope image isn’t
the exact background, but I think it must have served as inspiration. The art
director also moved the ship under the beast’s wing to make the image of the
creature as large as possible on the cover.
But it was still Lia’s drawing! She
had one more suggestion: that the title font be bolder.
Thar she blows!
